The 1990 debut by Zorn’s quintet — Bill Frisell on guitar, Wayne Horvitz on keyboards, Fred Frith on bass, Joey Baron on drums, with Boredoms vocalist Eye Yamatsuka howling and shrieking up front — brought his jump-cut aesthetic out of the New York avant-garde and onto college radio. His own furious compositions, which caromed from country to free jazz to dub to grindcore with little narrative logic but energy to spare, were balanced by romantic versions of movie themes from Ennio Morricone, Henry Mancini, and more, plus a take on Ornette Coleman’s “Lonely Woman” that features a driving rock backbeat.