Poulenc: Dialogues des Carmelites cover

Poulenc: Dialogues des Carmelites

Composer
Released

Dialogues of the Carmelites is known in particular for its finale, where Poulenc uses strange and surreal musical voices to stunningly direct and emotional ends. Kent Nagano’s recording avoids overselling, opting instead for clarity and attention to detail. His careful shading and pacing, very audible in the finale, ultimately magnify the strange power of Poulenc’s score.

Sean Wood

Suggestions
Julia Wolfe: Fire in My Mouth cover

Julia Wolfe: Fire in My Mouth

Jaap van Zweden, New York Philharmonic
Mahler: Symphony No. 9 cover

Mahler: Symphony No. 9

Berlin Philharmonic Orchestra, Simon Rattle
Farrenc: Symphonies Nos 1 & 3 cover

Farrenc: Symphonies Nos 1 & 3

Insula Orchestra, Laurence Equilbey
Mahler: Symphony No. 5 cover

Mahler: Symphony No. 5

Philadelphia Orchestra, Yannick Nézet-Séguin
Mahler: Symphony No. 8 in E Flat Major "Symphony of a Thousand" cover

Mahler: Symphony No. 8 in E Flat Major "Symphony of a Thousand"

Gustavo Dudamel, Los Angeles Philharmonic Orchestra
CPE Bach: Symphonies cover

CPE Bach: Symphonies

Orchestra of the Age of Enlightenment, Rebecca Miller
Stravinsky: Symphony of Psalms cover

Stravinsky: Symphony of Psalms

Berlin Philharmonic Orchestra, Pierre Boulez
Mahler 3 / Suite (After Bach) cover

Mahler 3 / Suite (After Bach)

Riccardo Chailly, Royal Concertgebouw Orchestra
David Lang: The Little Match Girl Passion cover

David Lang: The Little Match Girl Passion

Ars Nova Copenhagen, Paul Hillier, Theatre of Voices
Wolfgang Amadeus Mozart: Don Giovanni, K. 527, Opera arranged for Wind Ensemble by Josef Triebensee cover

Wolfgang Amadeus Mozart: Don Giovanni, K. 527, Opera arranged for Wind Ensemble by Josef Triebensee

Rolando Villazón, Yannick Nézet-Séguin, Diana Damrau, Mojca Erdmann, Luca Pisaroni, Joyce DiDonato, Mahler Chamber Orchestra, Ildebrando d'Arcangelo