Corelli: 12 Concerti Grossi Op. 6 cover

Corelli: 12 Concerti Grossi Op. 6

Released

While the concerto (in which a solo instrument is featured with orchestral accompaniment) has remained a popular music form for hundreds of years, a variation on that form – the concerto grosso – flourished briefly during the baroque period and then disappeared. In a concerto grosso, a small group of instruments called a concertino functions as the “soloist.” Perhaps the preeminent exponent of this form during that period was the great Italian composer Arcangelo Corelli, and his Opus 6 collection of 12 concerti grossi remains one of the most frequently performed and recorded examples of the form. This classic recording by Trevor Pinnock’s highly-regarded English Concert ensemble is one of the best.

Rick Anderson

Suggestions
Hieroglyphen Der Nacht cover

Hieroglyphen Der Nacht

Agnès Vesterman, Anja Lechner
Antonin Dvorák: Symphony No. 6; American Suite Op. 98b cover

Antonin Dvorák: Symphony No. 6; American Suite Op. 98b

Luzerner Sinfonieorchester, James Gaffigan
Johann Joseph Fux: Concentus Musico-instrumentalis I-VII  cover

Johann Joseph Fux: Concentus Musico-instrumentalis I-VII

Michaël Hell, Lucia Froihofer, Neue Hofkapelle Graz
Invocazioni Mariane cover

Invocazioni Mariane

Accademia Bizantina, Alessandro Tampieri, Andreas Scholl
Mozart In Havana cover

Mozart In Havana

Havana Lyceum Orchestra, Simone Dinnerstein, José Antonio Méndez Padrón
Carl Maria von Weber: The Clarinet as Prima Donna cover

Carl Maria von Weber: The Clarinet as Prima Donna

Staatsorchester Rheinische Philharmonie, Roeland Hendrikx, Michel Tilkin
Resilience cover

Resilience

Calidore String Quartet
Hand Eye cover

Hand Eye

eighth blackbird
Gossec: Symphonies, Op. 4 Nos. 1-6 cover

Gossec: Symphonies, Op. 4 Nos. 1-6

Deutsche Kammerakademie Neuss, Simon Gaudenz, German Chamber Academy Neuss
Baroque cover

Baroque

Miloš Karadaglić
The Frans Brüggen Project cover

The Frans Brüggen Project

Lucie Horsch, Orchestra of the 18th Century